Sunday, 19 February 2012

Mixy & Maxi The Muddled-Up Twins


Meet my two newest monsters, Mixy & Maxi the muddled-up twins.  This troublesome pair are a little bit scatter-brained, in fact the only thing that they never seem to lose is each other.  They are always getting mixed up in one conundrum or another but at heart they are simple lasses, they like nothing better than to settle down together and get crafting - their favourite activities include playing with cupcakes and baking kittens.  When evening falls and the night draws in they like nothing better than to settle down together for a nice bedtime story.


They have been hiding ever so patiently since the beginning of January, waiting for their chance to leap out and suprise my sister for her birthday- I hope you like them Nicky!

Saturday, 4 February 2012

Amish Quilts

I went along to my first meeting of the Southampton Quilters last Thursday and they had a speaker, Diane Taylor, who came to talk about the Amish.  The talk was interesting, although not very quilt-focused, and it made me interested to learn more about their quilts.

The first thing I've learnt from looking on the internet is that they are very popular - finding modern Amish quilts made to appeal to "English" people is a lot easier than finding examples of historic Amish quilts.

I have decided that I would like to make a small Amish-inspired quilt so I have been looking for more traditional designs which led me to the museum sites I have listed below, all of which have pictures of beautiful Amish quilts:

Development of Amish Quilting
Amish quilting started around the 1870's and whilst few quilts survive from this period the very first quilts are thought to have typically been whole-cloth quilts or had very simply pieced quilts with large blocks of muted colours - for example the centre diamond pattern appears quite frequently.  Up until the 1920's quilts were no larger than 82" square.

As Amish quilting developed simple geometric designs started to emerge - typical early Amish quilt designs include Bars and Sunshine & Shadows.  Other popular designs include Log cabin, Roman Stripe and Tumbling Boxes and star based designs.
Star based patterns were popular.

Amish quilters were not as isolated from "English" society as many may think and their designs tended to be drawn from "English" quilts although often they would simplify patterns down to make them less ostentatious and commonly Amish quilters would use larger blocks with less pieces than "English" quilts.  This webpage has an interesting comparison of Amish and English quilts from the collection of the Illinois State museum showcasing similarities and differences between the styles of quilting.

Amish quilt designs have tended to lag behind "English" quilting - one possible explanation for this is given by Eve Wheatcroft Granick, author of The Amish Quilt, who writes that "the inherently conservative nature of Amish culture permits change only in relationship to the larger outside society.  What has been discarded by other American women as being out of fashion is then acceptable for possible adaptation in the Amish community" 

Applique does not tend to feature in Amish quilts, most probably because of the prohibition about creating representational images which forms part of the Amish culture.  For the same reason quilts do not show people or places but restrict themselves to geometric patterns.

Colours and Fabrics
Historically Amish quilts were made with woollen fabrics with pieced designs often being made from dressmaking remnants, though rarely from old clothing as this was simply too worn to be of use.  Modern Amish quilts are often made of cotton but Amish quilters rarely use silks and the like.

 Fabrics are solid, not patterned, and colours tend to be muted and from the cool side of the colour spectrum - deep blues, greens, purples and reds are common colours and yellow and orange are rarely seen. 

Quilting
Amish quilting is done by hand and Amish quilters are famed for their tiny stitches - up to 12 stitches per inch! The entire top of the quilt tends to be very densely quilted, to secure the layers of the quilt through the woollen batting, and quilting patterns are traditionally either geometric (grids and straight lines) or inspired by nature (feathers, flowers, grapevines).

Sunday, 29 January 2012

Black Cats

I started this quilt in 2003 after a foundation piecing class.  The original aim was to make a king sized bed quilt out of it but after a while I got incredibly bored of making tiny little log cabin blocks so I called a halt at 144 six years later in December 2009... apparently I then stuck it in a cupboard and left it alone for 2 years, and I can't really believe it was there for so long, but I have finally gotten around to putting them together.  And I really rather like it.  It is 84cm square (because for some reason my foundation piecing paper was in 1cm grid rather than something nice and imperial) and has 1872 pieces in it.  The focus fabric consists entirely of cat fabric :D




Wednesday, 4 January 2012

Introducing Trevor



This is Trevor and he is a monster.  Trevor is the nephew of Maureen from Closet Monsters; whilst Maureen spent her youth travelling the world and seeking out adventure Trevor is a more down to earth sort of guy.  He likes long walks in the countryside, a warm place by the fire and a quiet beer with a few mates.  He works as a handy man, odd job man and fixer-of-broken-things.  He just loves to pull things apart and find out how they work and then put them back together again; he's pretty good at it too which is fortunate because for some reason whenever Trevor's around things have a habit of "breaking themselves"... in fairness though who expects a monster to be careful?

A Quilt for Nana


Being the crazy person that I am, and having discovered that I could make quilts quite quickly when I put my mind to it, I decided that making one quilt in time for Christmas wasn't good enough - I clearly needed to make two so that Nana could have one to complement Grandad's!


The design from this quilt started with the few (small) scraps of fabric left over from the Jelly Roll I used for Grandad's quilt; with some careful napkin-math I worked out that I could just get 90 2 1/2" squares out of the remnants of the jelly roll so I went searching for a quilt pattern that was mostly background!  The Single Irish Chain seemed to fit the bill nicely and a bit of scribbling showed me that I could get a fairly nice sized lap quilt with the fabric I had.  I added in some Makower Dimples from my stash for the background and eeked a skinny border out of the last of the yardage and came up with the quilt above for Nana.

Because there is so much background in this quilt I needed to do quite a bit more quilting to keep it interesting - I started off by quilting diagonal lines to pick out the criss-cross pattern of the patchwork and then added in some free motion quilting to fill the background squares.  This was a bit of a leap for me as the most free motion I'd done before hand was simple loops and stars all over the top of a quilt and the notion of  filling a clearly defined space was a little daunting.  I turned to The Free Motion Quilting Project for inspiration and decided to use Leah's Feathered Hearts design (although I changed it very slightly by making the central hearts into teardrops)


I watched the how-to video a few times and did a little sample square, then I sat down, had a cup of tea and asked mum what she thought of it... because I very nearly gave up the idea when I saw how many mistakes I had made!  Fortunately she convinced me that it was the overall effect we were aiming at and so I plunged ahead and tackled the quilt; whilst the individual lines are not perfect the effect on the quilt as a whole is pretty stunning and I will definitely be trying to use more design-oriented quilting in the future.

So, in the space of 7 days I made two quilts from start to finish, improved my free motion quilting confidence no end and made Rob's Nana a very happy lady....  I love Christmas!


A Quilt for Grandad

This is a quilt which I made for Rob's grandad.  We wanted to give him something nice for Christmas as unfortunately it looks like this may be his last and a quilt seemed to fit the bill perfectly - something made with love to add a splash of colour and hopefully keep him warm this winter.

I needed to make the quilt quickly so I dug out my copy of Jelly Roll Quilts and decided to use the Pandora's Box pattern.  I used a jelly roll of Moda's Little Gatherings line and bordered and bound it with yardage of one of the same fabrics.  The backing is a re-purposed duvet cover from Matalan (which I forget to photograph).  Because the quilt is quite large and geometric I kept the quilting very simple and quilted in the ditch between each of the blocks in invisible thread.  The borders are simply filled with parallel lines 1" apart.



Overall I'm very pleased with how this worked out, it is definitely the fastest quilt I have ever made taking just a single weekend from cutting to completion, and most importantly Nana liked it very much.

Monday, 12 December 2011

Winter Trees

We put the Christmas tree up last weekend and to celebrate I made this little wall hanging; Rob had been talking about going out to a farm near his parents house to choose their tree when he was a kid so I like to see this as a field of Christmas Trees just waiting to be taken into the house and decorated.


The tree design was inspired by these trees made by Tanya